Creative Producer & Art Director based in Berlin. My practice explores how visual codes navigate history, identity, and social subversion. I develop concept-driven work across video, photo, and digital media. By blending unexpected irony with cultural honesty, I create storytelling that prioritizes human connection over traditional commercialism, positioning brands and artistic projects as cultural catalysts.

Services: Creative Direction, Art Direction, Branding, Digital Content, Consept & Campeign Development, Research, Production

n.lushnikova.work@gmail.com
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01.Visual Essays & Short-form Documentaries

Creative Direction
Narrative Development
Art Direction
Production Management
Post-Production Supervision


Working with the online school SKVOT, I developed a series of editorial videos designed to position the school as a cultural ecosystem through high-concept storytelling. The process involved producing short-form documentaries that explore the intersection of technology and nature, such as investigations into bio-sonification and the non-verbal dialogue between botanical life and digital synthesis.

Further projects functioned as visual essays on contemporary sociology, specifically archiving the post-work movement to critique modern productivity cults and the aesthetics of labor. My work also focused on subcultural mapping, creating digital archives of urban semiotics from underground club scenes to graffiti culture to inform authentic world-building within sci-fi narratives. By bridging artistic research with brand strategy, these projects moved beyond traditional education content to build long-term cultural authority for the platform.




02.Commercial & Identity

Creative Direction
Identity Architecture
Scriptwriting
Production Supervision

For the launch of a new sub-brand of gummy candies under the confectionery giant AVK, I developed a comprehensive visual universe centered on the concept of Gummification. This project focused on building a distinct cultural language that resonates with a digitally native audience by treating product packaging as a physical portal that pulls the viewer into a hyper-vibrant sub-reality. The narrative utilizes absurdist visual metaphors to break traditional commercial codes through surrealist non-sequiturs, such as the anatomical subversion of a creature breaking open like an egg. This visual impact is driven by a repetitive, mantra-like branding strategy where sound and motion synchronize to build a hypnotic brand world. By "Juviligizing" reality, the work transforms a standard promotional task into an exploration of irony, rhythmic branding, and world-building.




03.Artistic Practice 

Artist
Creative Direction
Video Installation
Sound Design
Field Recording

My independent work explores the boundaries between physical space and digital media. Through two exhibitions in Berlin, I developed immersive environments that use video and sound to study how we perceive reality and social identity.

They all have iPhones, why should we help?
This project challenges the visual stereotypes of refugees in the European mind. While people often expect to see poverty or "otherness," this work highlights the reality of the Ukrainian middle class—professionals with iPhones and urban lifestyles suddenly forced into the trauma of displacement. The installation uses an audio-visual archive of real voices, arguments, and calls recorded during 27 hours at the border in the cold. It strips away social class to show a crowd of thousands united by a single goal: to cross.

Past, Future, Past (Residency Project)
Developed during a month-long residency, this two-channel video installation and sculpture compares physical wandering with the wandering of the mind. It looks at how immigrants search for familiar beauty in new places to feel more at home. While the videos analyze the bridge between past memories and future anxieties, the biological sculpture—made from human hair—acts as a metaphor for the roots and heritage we carry with us across borders. The project investigates how identity stays attached to us even when we are far from home.